Music Instruction
Award-winning music lessons, ensembles, and group classes for aspiring musicians of all ages and skill levels — children, teens, and adults.
Early Childhood
Morning & Full-Day Preschool programs with a full, child-centered curriculum of creative specials like music, science, drama, social and emotional learning, and more!
Music Therapy
Established in 1966, our pioneering Center for Music Therapy (CMT) uses guided music experiences to help individuals meet life's challenges.
BOP STOP
BOP STOP at The Music Settlement is Cleveland's premier listening room: an intimate, acoustically pristine performance venue with sweeping views of Lake Erie.
Celebrating the Release of the Duo's Album, "Indivisible"
October 27 from 7:00pm - 9:00pm
BOP STOP is excited to present Concurrence, who have created an inspired musical reaction to the effects of U.S. Interstate Highway construction on Black neighborhoods and those communities' subsequent resilience. On the new album, Indivisible, they use their adopted hometown of Nashville, Tennessee as a microstudy, they tell a story that has repeated itself across every major city in every state. Tickets for tonight are $20 each in advance, $25 day of show.
Featuring:
This event will also be livestreamed on BOP STOP's Youtube Channel at showtime. Accessing the stream is free but donations are encouraged and directly support the band.
------------------
Pianist/keyboardist Paul Horton (Brittany Howard, Alabama Shakes) and bassist/broadcaster Greg Bryant come together to form the beat-driven, improvisational music and research collective known as CONCURRENCE. Indivisible (available on La Reserve Records) represents the duo’s most ambitious album yet: music that sheds light on an overlooked chapter in American history, one which irrevocably altered Black and Brown communities across the country.
With the Federal Aid Highway Act of 1956, President Dwight Eisenhower established the Interstate System that today crisscrosses the United States. The system’s construction came with devastating effects. From New York to Chicago, Miami to Los Angeles, authorities routed the interstates through centers of cultural and economic activity, displacing families and decimating businesses.
Concurrence first honed its musical voice in the early 2000’s on Jefferson Street in Nashville, Tennessee. The area was a northside hub for the city’s Black community in the 1950s and 1960s that boosted the early careers of Etta James, Jimi Hendrix, and Little Richard – a few short years before Interstate 40 carved up six hundred and twenty homes as well as sixteen entire blocks of businesses lining the area. Since their debut, Concurrence has grown their musical partnership on bandstands across the United States and Canada touring independently while additionally opening for Cory Henry and Rebirth Brass Band.
On Indivisible and in performance, Bryant and Horton (Concurrence) deliver this message of tragedy, remembrance, and resilience in a cohesive musical voice, built over two decades of collaboration with acclaimed drummers and percussionists Nasheet Waits, Tommy Crane, Marcus Finnie, Derrek Phillips, Aaron Smith, and Giovanni Rodriguez.