Music Instruction
Award-winning music lessons, ensembles, and group classes for aspiring musicians of all ages and skill levels — children, teens, and adults.
Early Childhood
Morning & Full-Day Preschool programs with a full, child-centered curriculum of creative specials like music, science, drama, social and emotional learning, and more!
Music Therapy
Established in 1966, our pioneering Center for Music Therapy (CMT) uses guided music experiences to help individuals meet life's challenges.
BOP STOP
BOP STOP at The Music Settlement is Cleveland's premier listening room: an intimate, acoustically pristine performance venue with sweeping views of Lake Erie.
November 1 from 7:00pm - 8:30pm
We are excited to welcome pianist and composer Ethan Iverson with his trio. The group will be promoting Iverson's newest record, Technically Acceptable, which was released in January 2024. Tickets for tonight are $25 each in advance, $30 day of show.
Featuring:
This event will not be livestreamed.
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In 2002 Ethan Iverson helped form The Bad Plus, a revolutionary and wildly successful avant-garde trio that The New York Times said was “Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.”
Since leaving TBP, Iverson has released critically-acclaimed albums on ECM and Blue Note, often accompanied by bonafide jazz stars such as Tom Harrell or Jack DeJohnette. Downbeat has called Iverson “A master of melody” while Hot House recently raved, "Known for his intellectual depth and adventurous musical spirit, Ethan Iverson has traversed the boundaries of jazz tradition while leaving an indelible mark on its evolution.” After witnessing a 2024 concert of standards spontaneously chosen by the audience, Stereophile wrote, “Iverson is a natural, consistent crowd-pleaser. For his entire career, he has been finding ways to be accessible while pushing the envelope.”
Iverson also has a long-standing relationship with the great modern dance choreographer Mark Morris and still holds down the piano chair in drum legend Billy Hart’s long-running quartet. On top of his activities as a pianist and composer, Iverson has an active career as a writer, publishing significant criticism in The Nation, JazzTimes, The New York Times, and the Culture Desk of The New Yorker, in addition to posting frequently on his Substack, Transitional Technology.