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Award-winning music lessons, ensembles, and group classes for aspiring musicians of all ages and skill levels — children, teens, and adults.
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Morning & Full-Day Preschool programs with a full, child-centered curriculum of creative specials like music, science, drama, social and emotional learning, and more!
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BOP STOP
BOP STOP at The Music Settlement is Cleveland's premier listening room: an intimate, acoustically pristine performance venue with sweeping views of Lake Erie.
This Show Has Two Seatings: 7:00pm & 9:30pm
February 7 from 7:00pm - 10:30pm
There will be two seatings for this show: 7:00pm and 9:30pm.
The Bad Plus makes a highly anticipated return to the BOP STOP for one night only. Get your tickets for your preferred show early and don't miss out on an amazing night of music with the boundary-defying quartet!
This iteration of The Bad Plus features:
Tickets for tonight are $40 each. This event will not be livestreamed.
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The Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. Avoiding easy categorization, The Bad Plus has won critical acclaim and a legion of fans worldwide with their unique sound and flair for live performance.
The Bad Plus continues to push boundaries as founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band with Ben Monder (guitar) and Chris Speed (tenor saxophone) – instigating a new wave of excitement and anticipation within the band that is re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques while exploring the infinite possibilities of exceptional musicians working in perfect sync.
The Bad Plus is set to release their 18th album via Mack Avenue Records on Friday, November 8th. “Evolution is necessary for life and creativity,” say Dave King and Reid Anderson. “We’ve evolved, but we’re still The Bad Plus.”
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The upcoming release is the boundary-defying quartet’s second LP with its current lineup of founding members Reid Anderson (bass) and Dave King (drums) along with Ben Monder (guitars) and Chris Speed (saxophones).
“With this new album and this new batch of music, we're planting a flag to say that this version of the band has really come into its own,” Anderson explains. “A big part of what the sound of this band is is the willingness to explore complex emotions. That's something that we're not only comfortable with but that we've embraced from the beginning of the band.”
The title comes from a phrase that Anderson and King have used since the early days of the band – a mission statement to describe the wide range of territory they’ve always explored. Just as calling its predecessor The Bad Plus made a statement about continuity in the midst of change, finally branding an album with this long-held mantra declares that the reconfigured group has discovered ways to delve deeper and venture further.
Somewhat paradoxically, Complex Emotions strikes out in stunning new directions, often sounding radically different than anything The Bad Plus has done before, while at the same time maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form, the compelling immediacy of their collective improvisations, and, yes, their willingness to drill down into the full gamut of emotional complexity. That the band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions is a testament to their finely crafted identity and insistence on constantly evolving.
Since their debut in 2000, The Bad Plus have pushed the boundaries of what jazz music could and should be. From their earliest days, their indelible compositions coexisted with an unconventional array of covers from outside of the strictly-policed jazz bubble: everything from Ornette Coleman to Black Sabbath to Aphex Twin, Cole Porter to the Pixies to Nirvana. Their eclecticism was often misinterpreted as snark, when in actuality it was a means to reach for expression unachievable through other avenues – something very much in keeping with the dauntlessness of the true jazz tradition. Their now-legendary 2003 LP These Are Vistas was named one of the 50 Most Important Recordings of the Decade by NPR’s All Songs Considered, and now on their 18th album, the band is still making music that is wild and unexpected, with a refusal to conform to convention.